The story as it relates to the relationship and conflict between the Main and Influence Characters
The heart of every story. Without this Throughline, a story feels emotionless and concerned more with satisfaction than any real fulfillment. Covering the relationship between the Main Character and the Influence Character, the Relationship Story Throughline is where true emotion happens and where we as an Audience can visit the conflict and attempts to resolve that conflict that exist in the space between us. Once erroneously referred to as the "Main vs. Impact" Throughline, this part of the story is all about the conflict that arises in our relationships with others.
Create a framework of narrative around the events in your life and transform the inconsequential into something truly meaningful.
Turning the events of our lives into meaningful narrative requires an understanding of how our minds operate.
If it worked the first time, why change it up?
No such thing as a two-hander, just a misunderstanding of story.
Look to the dynamics of a relationship: the ebb and flow, the growth and the dissolution.
Understand what must be done for the relationship to succeed and you will find the source of conflict between them.
The first film may have provided a clue to the narrative structure of the entire series.
Connecting the Main Character's personal problem with the story's larger problem creates a meaningful and lasting narrative.
The secret to success lies in a consistent use of the Four Throughlines of narrative.
The cliché of the century finds roots in human psychology.
An examination of the sci-fi psychological thriller Moon and the missed opportunities for story greatness.
Visually stunning but lacking heart? It's not just one thing that is wrong, it's two.
A look at how you can dramatically improve the quality of your storytelling by thinking of the central relationship as a character.
Following up last week's conversation regarding what it takes to transform real life into an actual story, we now take time out to cover the first steps you want to take when building that narrative.
In addition to discussing advanced techniques for turning the real world into a full functional narrative, we take time out to discuss all things story with the Head of Story for Disney's upcoming animated feature, Moana--Dave Pimentel.
In this episode we explore the magic behind the Dramatica theory of story and why it worked wonders for the first Star Trek reboot in 2009...so why didn't they use it again for Star Trek:Beyond?
While simple and sublime in its choice of thematic material, Kramer vs. Kramer reveals some key insights into how great stories work.
There is a reason the 'You and I are just the same' line keeps coming up, and here is a montage to prove it.
The passionate argument of a story is carried by the relationship between the story's Relationship Story Characters namely, the Main and Influence Characters. The examination of their internal states and the articulation of the story's passionate argument makes up the Relationship Story Throughline. This is not the view from within the shoes of either the Main or Influence Characters, but is rather like an Overall (Objective) view of their relationship. It is a view of their story together which always sees both of them.